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Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication.
Film journalist and musician Stephen Thrower stated that following Bernard Herrmann's score to Psycho (1960), horror film soundtracks have rarely been mere background music, noting that James Bernard's music for horror film productions by Hammer have been "gallopingly melodramatic, although one has to say it often raises more giggles than ...
Bryan Durham of Daily News and Analysis called the music as "soul-stirring", [20] while A. O. Scott of The New York Times opined that the music, "floods the viewer with big feelings". [21] Edward Douglas of Den of Geek wrote "the perfectly-crafted score by musicians Hauschka and Dustin O’Halloran that effectively builds on the emotions ...
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the middle Renaissance, and was one of the major stylistic developments which led directly to the ...
With the proliferation of particular genres, film subgenres can also emerge: the legal drama, for example, is a sub-genre of drama that includes courtroom- and trial-focused films. Subgenres are often a mixture of two separate genres; genres can also merge with seemingly unrelated ones to form hybrid genres , where popular combinations include ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
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Inside Out: Original Soundtrack is the soundtrack album to Disney/Pixar's 2015 film of the same name, composed by Michael Giacchino.It is the second collaboration between Michael Giacchino and Pete Docter, after previously working on Up, which received an Academy Award for Best Original Score.