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A table given a distressed finish, with a historical paint colour, edges that have been sanded down to expose the wood, and vintage hardware attached to the drawers. Distressing (or weathered look) in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look".
Repoussé (French: ⓘ) or repoussage (ⓘ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure ) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal.
The carpentry consists of a timber frame with vertical planks extending from sill to plate. Sometimes there are studs at the doors but mostly the vertical planks replace the studs. Both wood shingle or clapboard exterior siding and interior lath and plaster attach directly to the planks. [10]
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Muntin: Narrow strip of wood or metal separating and holding panes of glass in a window. Ogee: see "Cyma" Order: Each of a series of mouldings; Ovolo: Simple, convex quarter-round moulding that can also be enriched with the egg-and-dart or other pattern; Neck moulding; Panel mould: A moulding that is flat on the back and profiled on the face ...
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