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Aida (also known as Elton John and Tim Rice's Aida) is a musical based on the opera of the same name written by Antonio Ghislanzoni with music by Giuseppe Verdi.It has music by Elton John, lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang, and was originally produced by Hyperion Theatricals.
Aida (or Aïda, Italian:) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni.Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.
Elton John and Tim Rice's Aida is a 1999 concept album that contains songs with music by Elton John and lyrics by Tim Rice from (but predates the main production of) the 2000 musical Aida. Background [ edit ]
Aida is a 1953 Italian musical melodrama film version of the opera Aida by Giuseppe Verdi. It was directed by Clemente Fracassi and produced by Gregor Rabinovitch and Federico Teti. The screenplay was adapted by Fracassi, Carlo Castelli, Anna Gobbi , and Giorgio Salviucci from the libretto by Antonio Ghislanzoni.
Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi.The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2, by William Shakespeare.
A triumphal march is a musical form generally reflecting a triumph, victory or great joy.. Many composers have written a triumphal march, with maybe the best known one being by Italian opera composer, Giuseppe Verdi for his 1871 grand opera, Aida, where, in the second act, Radames leads the Egyptian army on its return following their victory over the Ethiopians.
Celeste Aida" ("Heavenly Aida") is a romanza from the first act of the opera Aida by Giuseppe Verdi. It is preceded by the recitative "Se quel guerrier io fossi!". The aria is sung by Radamès, a young Egyptian warrior who wishes to be chosen as a commander of the Egyptian army. He dreams of gaining victory on the battlefield and also of the ...
Giuseppe Verdi. Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his friend Andrea Maffei who had written a synopsis. [2] A letter to Francesco Maria Piave (with whom he had worked on both Ernani and I due Foscari) had included the subject of Attila as opera number 10 on a list of nine other possible projects, [3] and in that same letter, he encouraged Piave ...