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"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different ...
Cale recorded the song and then released it in 1966 as a single with its flipside track "Slow Motion". [3] [4] When Eric Clapton was working with Delaney & Bonnie Bramlett, Delaney Bramlett introduced Clapton to the music of J.J. Cale. [5] [6] "After Midnight" was the first of several Cale cover songs released by Clapton and appeared on his self-titled debut album.
Roan wrote "After Midnight" with Casey Smith and the song's producer, Dan Nigro. It is a pop, disco, neo-disco, dance, and funk track with lyrics about nightlife and Roan's experience with bisexuality. Some music critics praised "After Midnight" as catchy and for its sexually provocative lyrics, while others considered it unremarkable.
Mamma Mia! (promoted as Benny Andersson & Björn Ulvaeus' Mamma Mia!) is a jukebox musical written by British playwright Catherine Johnson, based on songs recorded by Swedish group ABBA and composed by members Benny Andersson and Björn Ulvaeus.
Se Me Está Escapando" is the Spanish Language version of "Slipping Through My Fingers", with lyrics by Buddy and Mary McCluskey. The song was released as a single in Spanish-speaking countries in 1982 and also included on the South American versions of the album The Visitors .
Gimme! Gimme! (A Man After Midnight)", the first time Erasure covered a song from the ABBA songbook. It was issued by Mute Records in the UK and Sire Records in the US to herald the June release of Wonderland, but became the third consecutive commercial failure for the band in both territories. Despite its low chart placement, "Oh l'amour" has ...
Also included is a deluxe souvenir booklet complete with lyrics and glimpses of Donna Sheridan in international productions, and a bonus DVD that basically gives a behind-the-scenes look at the musical as well as glimpses of international productions of the musical. An additional bonus feature includes clips of the West End cast singing "Money ...
"Soon After Midnight" is a love song/murder ballad hybrid. At less than three-and-a-half minutes, it is the shortest of the 10 songs on Tempest and the only example of the pre-rock pop ballad genre to be found on the album. The title is a reference to "fairy time" in William Shakespeare's play A Midsummer Night's Dream. [1]