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Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi. [2]
Megh is a Hindustani classical raga. The meaning of megh in Sanskrit is 'cloud'. Hence this raga is mostly sung or played in the monsoon season. Another raga which describes rain is raga Malhar. These two ragas were merged and a new raga developed, raga Megh Malhar. The Carnatic music equivalent of this raga is Madhyamavati.
Khyāl (خیال) is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and ...
The most remembered version of the song is by actor-singer Kundan Lal Saigal for the Hindi movie Street Singer (1938) directed by Phani Majumdar, live on camera, under the music direction of Rai Chand Boral, just as playback singing was becoming popular. [5]
Bandish, cheez or gat [1] is a fixed, melodic composition in Hindustani vocal or instrumental music. [2] It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium.