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Kabuki stages and theaters have steadily become more technologically sophisticated, and innovations including revolving stages and trap doors were introduced during the 18th century. A driving force has been the desire to manifest one frequent theme of kabuki theater, that of the sudden, dramatic revelation or transformation. [ 42 ]
Izumo no Okuni (出雲 阿国, born c. 1578; died c. 1613) was a Japanese entertainer and shrine maiden who is believed to have invented the theatrical art form of kabuki. She is thought to have begun performing her new art style of kabuki (lit. ' the art of singing and dancing ') theatre in the dry riverbed of the Kamo River in Kyoto. Okuni's ...
1910 illustration of a Japanese revolving stage. The revolving stage, called the mawari-butai, was invented by Edo playwright Nakimi Shozo in 1729 and solved the issue of moving heavy scenic properties quickly as Kabuki adopted Bunraku into full scale designs. [5]
Kabuki developed out of opposition to the staid traditions of Noh theatre, a form of entertainment primarily restricted to the upper classes. Traditionally, Izumo no Okuni is considered to have performed the first kabuki play on the dried-up banks of the Kamo River in Kyoto in 1603. Like Noh, however, over time, kabuki developed heavily into a ...
Shunshō of the Katsukawa school introduced the ōkubi-e "large-headed picture" in the 1760s. [3] He and his school soon popularized ōkubi yakusha-e, prints of actors [4] from kabuki, a flamboyant theatrical form that enjoyed popularity with the masses. [5] The enigmatic print designer Sharaku's works are amongst ukiyo-e's best known. They ...
Kabuki (歌舞伎) is a classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers. The individual kanji characters, from left to right, mean 'sing' (歌), 'dance' (舞), and 'skill' (伎). Kabuki is therefore sometimes translated as 'the art of singing ...
In contemporary kabuki performance, onnagata is a separate theatrical role with different training that is separate from actual women in society. [6] After film was introduced in Japan at the end of the 19th century, the oyama continued to portray females in movies until the early 1920s.
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.