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The main material used for jewelry design in antiquity and leading into the Middle Ages was gold. [1] Many different techniques were used to create working surfaces and add decoration to those surfaces to produce the jewelry, including soldering , plating and gilding, repoussé , chasing , inlay, enameling, filigree and granulation, stamping ...
Earring in the form of a dolphin; 5th century BC; gold; 2.1 by 1.4 by 4.9 centimetres (0.83 in × 0.55 in × 1.93 in); Metropolitan Museum of Art Bulla with Daedalus and Icarus ; 5th century BC; gold; 1.6 by 1 by 1 centimetre (0.63 in × 0.39 in × 0.39 in); Walters Art Museum ( Baltimore )
The Love Bracelet (styled L⊝Ve, with the horizontal line inside the letter "O" alluding to the bracelet's locking mechanism) is a piece of jewelry designed in 1969 by Aldo Cipullo and later offered to Cartier SA. [1] [2] Early versions of the Love Bracelet featured gold plating, while more recent designs are created from solid gold or ...
Clasps to complete necklaces and bracelets; Earwires to link an earring to the wearer's ear; Ring blanks for making finger rings; Bails, metal loops, and jump rings, for completing jewellery. Jump rings can be used by themselves for chains; Pin stems and brooch assemblies; Tuxedo stud findings, letters of the alphabet, cluster settings, metal ...
Only a few rare examples were decorated with fine gold, silver settings or polished steel. Some were also set with medallions, imitating the Greek classical scenes on some of the jasperware made by the famous potter Josiah Wedgwood (1730–1795), or the portrait medallions of contemporaries made by James Tassie (1735–1799).
Some bracelets were used without clasps (solid gold snake bracelets), while others used gold pins or small gold screws to fasten the bracelet to the wrist. [5] [6] Roman solid gold medallion bracelet with gold screw fasteners c. 400 AD. Roman lion's head gold screw fastener for solid gold medallion bracelet c. 400 AD.