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"The Grand Inquisitor" is a story within a story (called a poem by its fictional author) contained within Fyodor Dostoevsky's 1880 novel The Brothers Karamazov. It is recited by Ivan Fyodorovich Karamazov, during a conversation with his brother Alexei, a novice monk, about the possibility of a personal and benevolent God.
The theme had already been vividly depicted in all the earlier major novels, particularly Demons, but in The Brothers Karamazov Dostoevsky artistically represents and counterposes the two antithetical worldviews in archetypal forms — the character of Ivan Fyodorovich and his legend of The Grand Inquisitor, and the characters of Alyosha and ...
According to Brendan French, a researcher in esotericism, "it is highly significant" that [exactly 8 years after her publication of "The Grand Inquisitor"] Blavatsky declared Dostoevsky to be "a theosophical writer." [12] In her article about the approach of a new era in both society and literature, called "The Tidal Wave", she wrote:
Editor, Dostoevsky's "The Grand Inquisitor," with Related Chapters of "The Brothers Karamazov" (Indianapolis: Hackett, 1993). Includes a 40-page editor's introduction. Co-editor (with D. Pereboom), Existentialism: Basic Writings (Indianapolis: Hackett, 1995). Book introduction and introductions to Nietzsche and Heidegger.
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
Ukrainian scholar Vadim Skuratovsky offers extensive literary, historical and linguistic analysis of the original text of the Protocols and traces the influences of Fyodor Dostoyevsky's prose (in particular, The Grand Inquisitor and The Possessed) on Golovinski's writings, including the Protocols. [37]
Such a beguiling premise shapes Armenian Vilnius-based director Marat Sargsyan’s sophomore feature, “The Grand Inquisitor.” In it, the omnipotent creature is an AI that looks like a human ...
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.