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The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
Ondel-ondel street performance usually travelling the streets of Jakarta kampungs (urban villages), and asking Money contribution from audiences and passer by. The ondel-ondel is a large bamboo-wooden puppet-mask of Betawi couple; Male and Female ondel-ondel dancing accompanied with Gambang Kromong , Betawi traditional music consist of drums ...
After his return, Bagong founded the Dance Training Center (Pusat Latihan Tari) Bagong Kussudiardja on March 5, 1958. Much later, Bagong founded the Bagong Kussudiardja Center for the Arts (Padepokan Seni Bagong Kussudiardja) on October 2, 1978. [4] In December 1984, Bagong embarked on a five-month trip to seven European countries.
[5] Choreographers of individual performances are allowed to include their own interpretations. [ 2 ] The cendrawasih dance is often performed outside of Indonesia when promoting Indonesian culture, such as in Peru in 2002, [ 6 ] at the Freer Gallery of Art in Washington, D.C., in 2008, [ 4 ] Japan in 2008, [ 7 ] and the Netherlands in 2008.
Betawi language. The Betawi language, also known as Betawi Malay, is a Malay-based creole language. It was the only Malay-based dialect spoken on the northern coast of Java; other northern Java coastal areas are overwhelmingly dominated by Javanese dialects, while some parts speak Madurese and Sundanese.
A kecak dance being performed at Kolese Kanisius, Jakarta This is an example of what James Clifford describes as part of the "modern art-culture system" [ 4 ] in which "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art,' which was once embedded in the culture as a whole ...
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.