Search results
Results From The WOW.Com Content Network
Cinematic soul builds on the foundations of soul music. The backing track can include drums, bass guitar, clavinet and electric guitar played with a wah-wah pedal.On top of this are orchestral instruments including a string section and brass, similar to that heard on a movie soundtrack.
Download's music has been described as post-industrial, drawing from the band's genesis as part of Skinny Puppy but also sharing common stylistic ground with such artists as Aphex Twin and Autechre. The primary instrumentation common throughout their albums is a blend of synthesizers and sampled instruments ; the music is particularly centered ...
Classical Hollywood cinema uses a style referred to as the institutional mode of representation: continuity editing, massive coverage, three-point lighting, "mood" music, and dissolves. The socio-economic ideological explanation for this is style involves Hollywood's desire to monetarily profit and appeal to ticket-buyers.
Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication.
She previously composed and arranged for several video games, and also assisted on the scores of The Expendables 2 (2012), Iron Man 3 and Now You See Me (2013). [3] During the pre-production, Dan Trachtenberg , the film's director had listened to her score for Assassin's Creed Valhalla and hired her for the film.
[9] Another example of eye music from the ars subtilior is Jacob Senleches' La harpe de melodie, where the voices are notated on a stave that appears to be the strings of a harp. Eye music's popularity died down after the Humanist movement of the mid-16th century, later to be revitalized in the twentieth century as the use of graphic scores ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Film journalist and musician Stephen Thrower stated that following Bernard Herrmann's score to Psycho (1960), horror film soundtracks have rarely been mere background music, noting that James Bernard's music for horror film productions by Hammer have been "gallopingly melodramatic, although one has to say it often raises more giggles than ...