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"Cream" is a song by American singer-songwriter Prince and his backing band the New Power Generation, released in September 1991 by Paisley Park and Warner as the second single from Prince's 13th studio album, Diamonds and Pearls (1991). In a 2004 MTV special, Prince joked that he wrote the song while looking at himself in the mirror.
Prince delivered the song exclusively to nightclubs on his 33rd birthday on a now valuable 12-inch single featuring the otherwise unavailable "Gett Off (Damn Near 10 Minutes Mix)" remix. It was so well-received that Prince decided to release the song commercially as a single with the rap song "Horny Pony" as its B-side, and also as a maxi ...
"The Bird" is a song from the Time's third album, Ice Cream Castle. The song was initially recorded in the studio in 1983 with all instruments by Prince, except guitar, which was performed by Jesse Johnson. [1] This version was replaced by a live recording with the full band at the First Avenue on October 4, 1983. This is the first Time song to ...
"7" is a song by American musicians Prince and the New Power Generation. It was released on November 17, 1992 as the third single from their Love Symbol Album.Featuring a sample of the 1967 Lowell Fulson song "Tramp", the track showcases a distinct Middle Eastern tone underscored by heavy drums and bass in an acoustic style, a Hindu reincarnation theme, and an opera-like chorus which features ...
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Common to much of Prince's writing, the song is thought to be exhortation to follow Christian ethics, with the "De-elevator" of the lyrics being a metaphor for the Devil. [ 21 ] A power ballad and a combination of rock , R&B , gospel , and orchestral music, "Purple Rain" reached number 2 on the Billboard Hot 100 and stayed there for two weeks ...
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It opens the second disc of Prince's double album Sign o' the Times (1987), and became the album's runner-up chart single. Musically, the song is a standard 12-bar rock song with emphasis on the contrast between heavy drum beats by a Linn LM-1 drum machine and Sheila E. 's live percussion, and a vastly distorted almost completely saturated ...