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The cantata is structured in six movements: two choral movements at the beginning and end frame a sequence of alternating recitatives and arias. The opening movement is based on a verse from Psalm 139 ; the closing chorale on a stanza from Johann Heermann 's hymn " Wo soll ich fliehen hin ".
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750.
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
Similarly, the awareness of being a sinner who needs healing is the theme of Heermann's chorale and this cantata. The paraphrasing poetry adds images to the chorale which the composer could use, for example in movement 3 the divine source of blood to cleanse the stains of sins, a Baroque phrase relying on Psalms 51:4, Revelation 1:5 and ...
The chorale cantata for Reformation Day (31 October) Ein feste Burg ist unser Gott, BWV 80, originated in several stages: [6] The chorale cantata apparently retained most, if not all, movements of the Alles, was von Gott geboren cantata (BWV 80a), written in Weimar. The libretto of this early version of the BWV 80 cantata survives, but its ...
Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera.
Ach Gott, wie manches Herzeleid, BWV 3 (chorale cantata, 14 January 1725) Meine Seufzer, meine Tränen, BWV 13 (20 January 1726) Wilhelm Friedemann Bach Wir sind Gottes Werke, BR F 6 (incomplete, BDW 09782) Carl Friedrich Christian Fasch and Carl Philipp Emanuel Bach: Harre auf Gott (C. P. E. Bach 's expansion of a 3-movement cantata by Fasch ...
Bach structured the cantata in ten movements, in two parts of six and four movements, respectively. The first movement is scored for choir and the full orchestra. The inner movements are alternating recitatives and arias for solo singers and mostly obbligato instruments. Both parts are concluded with a chorale stanza, both from the same hymn ...