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The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Louis Henry Sullivan (September 3, 1856 – April 14, 1924) [1] was an American architect, and has been called a "father of skyscrapers" [2] and "father of modernism". [3] He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School.
In 1896, Chicago architect Louis Sullivan coined the phrase Form follows function. However, this aphorism does not relate to a contemporary understanding of the term 'function' as utility or the satisfaction of user needs; it was instead based in metaphysics, as the expression of organic essence and could be paraphrased as meaning 'destiny'. [3]
A form is defined by its function ("form follows function"). For building to be "good", it should fulfill the functional requirements imposed by external physical, social, and symbolic needs (for example, a theater should have unobstructed view of the stage from the spectators' seats).
Credit: The Other 98%. In the quote, Trump calls voters the "dumbest group of voters in the country." He continued, saying that they'd believe anything Fox broadcasts.
The architectural form is influenced by the building's purpose, so frequently "form follows function". However, in many cases it is impossible to predict that proper spatial allocation for the future function and, in the real world, the buildings are often more durable than the need for their original function.
In 1989, she wrote the chapter "FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design", which Lees-Maffei describes as "an extremely influential follow-up" to a 1986 article by Cheryl Buckley. She also co-edited A View from the Interior: Feminism, Women And Design with Pat Kirkham (1989) and wrote on gendered dolls. [1]
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