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Fleetwood Mac, also known as Peter Green's Fleetwood Mac, is the debut studio album by British blues rock band Fleetwood Mac, released in February 1968.The album is a mixture of blues covers and originals penned by guitarists Peter Green and Jeremy Spencer, who also share the vocal duties.
The 1967–1969 era Blue Horizon albums (Fleetwood Mac, Mr. Wonderful, The Pious Bird of Good Omen, and Fleetwood Mac in Chicago) and the 1971 outtakes album The Original Fleetwood Mac have been remastered and reissued on CD, as have the 1975–1987 era Warner Bros. studio albums (Fleetwood Mac, Rumours, Tusk, Mirage, and Tango in the Night).
Fleetwood Mac's self-titled debut album was released by the Blue Horizon label in February 1968. The song "Long Grey Mare" was recorded earlier with Brunning on bass, while the rest of the album was recorded with McVie. [ 13 ]
Fleetwood Mac (1968) John Mayall & the Bluesbreakers was the central force of London’s ’60s blues scene, launching the careers of Eric Clapton and Mick Taylor of the Rolling Stones. In 1967 ...
all Fleetwood Mac releases from Fleetwood Mac (1968) to Then Play On (1969) The Original Fleetwood Mac (1971) Live in Boston (1985) London Live '68 (1986) Live at the Marquee 1967 (1992) Live at the BBC (1995) Shrine '69 (1999); appeared on Penguin and Tusk as an uncredited guest musician
This rare test pressing of Fleetwood Mac’s “Rumours” album (peep the British spelling) can easily sell for over $100 thanks to its status as one of the band’s most popular albums. These ...
The Vaudeville Years of Fleetwood Mac 1968 to 1970 (or just The Vaudeville Years) is an album by British blues rock band Fleetwood Mac, released in 1998.It was a compilation of outtakes and unreleased tracks from the band's early line-up, none of which had previously been officially released.
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]