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The Holy Family with Angels is an oil on panel painting by Parmigianino, from c. 1524. It is held in the Museo del Prado, in Madrid. [1]It is usually identified with the "large painting" showing "Our Lady with the Christ Child on her neck taking fruit from an angel's lap and an old man with hairy arms" which Giorgio Vasari states Parmigianino produced just before leaving for Rome, adding that ...
Rembrandt portrays the Holy Family as a typical family of Amsterdam in his day. In the foreground Jesus is asleep in the same style of wicker crib that can be seen in period paintings of mothers with babies by Pieter de Hooch. Mary looks up from her book to take a peek at the sleeping child under the crib curtain (Dutch: klamboe).
The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
Dead Christ Supported by Two Angels (Bellini, Berlin) Dead Christ Supported by Two Angels (Bellini, Venice) The Dead Christ with Angels; Death of the Virgin (van der Goes) Death of the Virgin Mary of Košátky; Deesis with Saint Paul and Saint Catherine; Delivery of the Keys; Diptych by Giovanni da Rimini; Disputation of the Holy Sacrament ...
Holy Family (Watteau) The Holy Family with Saint John the Baptist and an Angel; Holy Family under an Oak Tree; The Holy Family with a Little Bird; Holy Family with a Shepherd; Holy Family with Angels (Parmigianino) Holy Family with Saint Anne and the Infant Saint John; Holy Family with Saint Catherine and Saint John the Baptist
The Holy Family with Saints Anne and John the Baptist is a tempera on canvas painting by Andrea Mantegna, dating to 1495-1500. It measures 75.5 cm by 61.5 cm and is now in the Gemäldegalerie in Dresden .
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
Many Lutheran and Roman Catholic Christians have praised the painting for the hidden host on the forehead of The Head of Christ, and a chalice on his temple, both pointing to the Holy Eucharist. [7] The Head of Christ became popular among evangelical Christians as well, as they believed the portrait to emphasize the "salvific power of the life ...