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"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. [1] The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death.
"September 1913" functions also as an iconic example of Yeats's own fidelity to the literary traditions of the 19th century British Romantic poets. A devoted reader of both William Blake and Percy Shelley, Yeats's repetition of the phrase "Romantic Ireland" connects the politically motivated ideals of the Romantics "to an Irish national landscape."
Michael Bell, in his essay "W. B. Yeats:'In Dreams Begin Responsibilities,'" suggests that in "Politics", Yeats "treads a dubious line between honesty to mood and a would-be seductive fecklessness". [7] The image of young people in each other's arms calls back to Yeats's 1928 poem "Sailing to Byzantium" ("That is no country for old men. The ...
"On being asked for a War Poem" is a poem by William Butler Yeats written on 6 February 1915 in response to a request by Henry James that Yeats compose a political poem about World War I. [1] Yeats changed the poem's title from "To a friend who has asked me to sign his manifesto to the neutral nations" to "A Reason for Keeping Silent" before ...
Macmillan (London and New York) republished the poems in March 1919 without the play but with an additional seventeen poems. The completed volume, also called The Wild Swans at Coole, represents the "middle stage" of Yeats' writing and is concerned, amongst other themes, with Irish nationalism and the creation of an Irish aesthetic. [2] [3]
Yeats began by writing epic poems such as The Isle of Statues and The Wanderings of Oisin. [109] His other early poems are lyrics on the themes of love or mystical and esoteric subjects. Yeats's middle period saw him abandon the pre-Raphaelite character of his early work [ 110 ] and attempt to turn himself into a Landor -style social ironist.
The stanza may be seen as a variation on ottava rima, an eight-lined stanza used in other Yeats poems, such as Among School Children and Sailing to Byzantium. Metrical analysis of the poem, according to Robert Einarsson, proves difficult because he believes Yeats adheres to "rhythmical motifs" rather than traditional use of syllables in his meter.
In the weeks preceding Yeats′s writing of the poem, his pregnant wife, Georgie, caught the virus and was very close to death, but she survived. The highest death rates of the pandemic were among pregnant women, who in some areas had a death rate of up to 70%. Yeats wrote the poem while his wife was convalescing. [6] [1]