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Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
Keshavadasa's Rasikapriya (16th century) in Hindi, also elaborates on the Ashta-nayika. [3] The Ashta-Nayika have been illustrated in Indian painting, literature, sculpture as well as Indian classical dance, such as Kathak.
Tawaif Mah Laqa Bai dancing in court. Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
In Kathak performers today generally draw their lineage from four major schools of Kathak: the Jaipur-Atrauli gharana, the Lucknow dance gharana, the Benares gharana (born in the courts of the Kachwaha Rajput kings, the Nawab of Oudh, and Varanasi respectively.) and the Raigarh gharana (born in the court of Maharaja Chakradhar Singh of Raigarh.)
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Sitara Devi (born Dhanlakshmi; 8 November 1920 – 25 November 2014) was an Indian dancer of the classical Kathak style of dancing, a singer, and an actress. She was the recipient of several awards and accolades, and performed at several prestigious venues in India and abroad; including the Royal Albert Hall, London (1967) and at the Carnegie Hall, New York (1976).
A pair of ghungroos Kathak dancer Namrata Rai performing with 400 Ghungroos. A ghungroo (Hindi: घुँघरू, Urdu: گھنگرو), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical ...
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...