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The Appalachian dulcimer (many variant names; see below) is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
The following is the basic tune with the lyrics of the chorus. These tabs assume the player has a diatonically fretted instrument tuned to one of the 1-5-8 open tunings like G-D-G or D-A-D, such as one might find on a mountain dulcimer or a stick dulcimer. 2 2 2 2 3 9 Boil them cab-bage down, down. 2 2 2 2 1 1
Mountain Dulcimer, Appalachian Dulcimer, Lap Dulcimer, Dulcimore, Delcimore, Delcimer US Most dulcimers are either 3 or 4 course; any or all courses may be doubled with a second, unison string—hence the number of different stringing possibilities. Alternates listed here give a pitch for each whole course, regardless of number of strings.
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
The pantalon was a very large dulcimer with a double sounding board, approximately 6 ft (2 m) long, with about 200 strings of both gut and metal, some double- or triple-strung. It had no dampers, so the strings vibrated sympathetically, giving a rich resonating tone that was quite novel at the time and made a noticeable stir; the lack of ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...