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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
For example: Hon'ami Kōetsu's (本阿弥 光悦; 1558 – 27 February 1637) white raku bowl called "Mount Fuji" (Shiroraku-Chawan, Fujisan) listed as a national treasure by the Japanese government. [17] Kintsugi, a specific technique that uses gold lacquer to repair broken pottery, is considered a wabi-sabi expression. [8]
Take, for example, the Japanese art form of kintsugi, wherein broken pottery is repaired with lacquer and powdered gold, highlighting the imperfections instead of masking them. “I believe ...
Ryukyu Lacquer Production, Okinawa, Japan. Traditional Asian lacquer has been used for centuries [2] and is derived from sap, prominently that from the Urushi tree; part of the sumac family grown throughout Japan, China and Korea. [3] Sap from the tree contains a chemical compound called urushiol that hardens when exposed to humidity. [4]
In Gohon Mishima ware, bowls were inlaid with various motifs such as floral and animal depictions. To create these motifs, a potter would begin by engraving the design in the body. Next, the engravings would be filled with contrasting colored clay (or slip). Finally, the bowl is then covered it with a transparent glaze.
In the music video, a black bowl repaired with the traditional Japanese technique of kintsugi is featured at 1.10 minutes. Kintsugi is the art of repairing with gold, treating the breakage and repair as part of the history of an object, and often quoted as a symbol of resilience and repair.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Shino ware tea bowl furisode, Azuchi-Momoyama to Edo period, 16th-17th century Shino incense container (kogo) with sculpted figures of Jurojin with a crane and a tortoise in feldspar glaze by Masaki Sōzaburō, late Edo period, early 19th century Shino ware shallow bowl, Azuchi-Momoyama to Edo period, 16th-17th century Nezumi-Shino ware, square dish with autumn grasses design, Azuchi-Momoyama ...