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A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude .
Concerto for Piano and Orchestra No. 1 in E minor (1895) Concerto for Piano and Orchestra No. 2 in C minor (1898) Felix Mendelssohn. Piano Concerto in A minor (1822) Concerto in E for two pianos (1823) Concerto in A-flat for two pianos (1824) Piano Concerto No. 1 in G minor, Op. 25 (1831) Piano Concerto No. 2 in D minor, Op. 40 (1837)
Mozart's seven piano trios and two piano quartets were the first to apply the conversational principle to chamber music with piano. Haydn's piano trios are essentially piano sonatas with the violin and cello playing mostly supporting roles, doubling the treble and bass lines of the piano score.
The orchestrator is told in advance the number of instruments he has to work with and has to abide by what is available. A big-budget film may be able to afford a Romantic music era-orchestra with over 100 musicians. In contrast, a low-budget independent film may only be able to afford a 20 performer chamber orchestra or a jazz quartet ...
Chamber music by Johann Sebastian Bach refers to the compositions in the tenth chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), [1] or, in the New Bach Edition, the compositions in Series VI. [2] Chamber music is understood as containing:
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Suite No. 4 for quartertone piano, Op. 22 (1924) Suite No. 5 for quartertone piano, Op. 23 (1925) Suite No. 6 for quartertone piano, Op. 88 (1957–59) [19] Suite for clarinet and quartertone piano, Op. 24 (1925) [19] 1st Suite for quartertone guitar, Op. 54 (1943) 2nd Suite for quartertone guitar, Op. 63 (1947) Suite for clarinet ...
Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below. The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. [2]