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Samuel Dashiell Hammett (/ ˈ d æ ʃ ə l ˈ h æ m ɪ t / DASH-əl HAM-it; [2] May 27, 1894 – January 10, 1961) was an American writer of hard-boiled detective novels and short stories. He was also a screenwriter and political activist.
The Hammett mask is never lifted; the Hammett character never lets you inside. Instead of the potential despair of Hemingway, Hammett gives you unimpaired control and machinelike efficiency". Louis Untermeyer wrote, "Hammett has done something extraordinarily new to the murder and mystery story. He has made the reader as much interested in the ...
Time included Red Harvest in its 100 Best English-Language Novels from 1923 to 2005, noting that, in the Continental Op, Hammett "created the prototype for every sleuth who would ever be called 'hard-boiled.'" [4] The Nobel Prize-winning author André Gide called the book "a remarkable achievement, the last word in atrocity, cynicism, and ...
The characters first appear in Dashiell Hammett's best-selling last novel The Thin Man (1934). Nick is a former private detective of Greek ancestry who retired when he married Nora, a wealthy Nob Hill heiress. Hammett reportedly modeled Nora on his longtime partner Lillian Hellman, [1] and the characters' boozy, flippant dialogue on their ...
The character, however, is widely cited as a crystallizing figure in the development of hard-boiled private detective fiction—Raymond Chandler's Philip Marlowe, for instance, was strongly influenced by Spade. Spade was a departure from Hammett's nameless and less-than-glamorous detective, The Continental Op. Spade combined several features of ...
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The Thin Man (1934) is a detective novel by Dashiell Hammett, originally published in a condensed version in the December 1933 issue of Redbook. It appeared in book form the following month. A film series followed, featuring the main characters Nick and Nora Charles, and Hammett was hired to provide scripts for the first two. [1]
The Maltese Falcon is a 1930 detective novel by American writer Dashiell Hammett, originally serialized in the magazine Black Mask beginning with the September 1929 issue. . The story is told entirely in external third-person narrative; there is no description whatsoever of any character's thoughts or feelings, only what they say and do, and how they l