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The classical erotes or putto re-appeared in art during the Italian Renaissance in both religious and mythological art, and is often known in English as a cherub, the singular of cherubim, actually one of the higher ranks in the Christian angelic hierarchy. They normally appear in groups and are generally given wings in religious art, and are ...
The Angel musicians are two paintings created in the late 15th century to frame Leonardo da Vinci's Virgin of the Rocks.Their purpose was to decorate the side panels of the Altarpiece in the Chapel of the Immaculate Conception, created to decorate a chapel in the Church of San Francesco Grande in Milan.
Although the two angels form a pair, there is a great contrast between the two works, the one depicting a delicate child with flowing hair clothed in Gothic robes with deep folds, and Michelangelo's depicting a robust and muscular youth with eagle's wings, clad in a garment of Classical style. Everything about Michelangelo's Angel is dynamic. [103]
Botticelli showcases a non-historic image of the Madonna and Child, instead drawing his inspiration from the Renaissance ideals of beauty. There are parallels in Botticelli's work in which he continuously depicts Mary and Jesus with blonde, wavy hair and fair skin so as to elevate the image of both figures in creating a sort of devotional ...
The Sistine Chapel: The Art, the History, and the Restoration, 1986, Harmony Books/Nippon Television, ISBN 0-517-56274-X; Vasari, Giorgio, selected and edited by George Bull, Artists of the Renaissance, Penguin 1965 (page nos. from Book Club Associates (BCA) ed., 1979) Wind, Edgar, Pagan Mysteries in the Renaissance, 1967 ed., Peregrine Books
This phase in Botticelli's art was also characterized by the combination of features typically found in court paintings, as well as qualities learned from his study of Classical works. [6] Botticelli juxtaposes the Classical grace of these quasi-courtly paintings with the garb of then-contemporary Florentines.