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Thomas M. Disch, The Priest: A Gothic Romance (1994) Fyodor Mikhailovich Dostoyevsky, The Double (1846), The Landlady (1847), Bobok (1873) and The Brothers Karamazov (1880) Arthur Conan Doyle, Lot No. 249 (1892) Daphne du Maurier, Jamaica Inn (1936), Rebecca (1938) and My Cousin Rachel (1951) George du Maurier, Trilby (1894)
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Here, 20 the best gothic books to read this fall: The Castle of Otranto: A Gothic Story. The Castle of Otranto is considered the first supernatural English novel and also the first gothic novel ...
Vampire literature covers the spectrum of literary work concerned principally with the subject of vampires. The literary vampire first appeared in 18th-century poetry, before becoming one of the stock figures of gothic fiction with the publication of Polidori's The Vampyre (1819), inspired by a story told to him by Lord Byron.
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel .
Gothic fiction comprises Gothic novels, short stories and short-story collections. Subcategories This category has the following 10 subcategories, out of 10 total.
This category is for Gothic novels and works clearly related to the historical genre. For horror fiction generally, see Category:Horror novels. Subcategories.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...