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In Aesthetic Theory, Adorno is concerned not only with such standard aesthetic preoccupations as the function of beauty and sublimity in art, [2] but with the relations between art and society. He feels that modern art's freedom from such restrictions as cult and imperial functions that had plagued previous eras of art has led to art's expanded ...
Adorno's work has had a large impact on cultural criticism, particularly through Adorno's analysis of popular culture and the culture industry. [10] Adorno's account of dialectics has influenced Joel Kovel, [11] the sociologist and philosopher John Holloway, the anarcho-primitivist philosopher John Zerzan, [12] the sociologist Boike Rehbein, [13] and the Austrian musicologist Sebastian Wedler.
The text of Aesthetic Theory, as it was in August 1969, which the editors present here as faithfully as possible, is the text of a work in progress; this is not the form in which Adorno would have published this book. Several days before his death he wrote in a letter than the final version ‘still needed a desperate effort’ but that ...
Adorno's posthumously published Aesthetic Theory (1970), which he planned to dedicate to Samuel Beckett, is the culmination of a lifelong commitment to modern art, which attempts to revoke the "fatal separation" of feeling and understanding long demanded by the history of philosophy, and explode the privilege aesthetics accords to content over ...
The following is a list of the major work by Theodor W. Adorno, a 20th-century German philosopher, sociologist and critical theorist associated closely with the Frankfurt School. This list also includes information regarding English translation.
Hegel's Aesthetics is regarded by many as one of the greatest aesthetic theories to have been produced since Aristotle. [7] Hegel's thesis about the historical dissolution of art has been the subject of much scholarly debate and influenced such thinkers like Theodor W. Adorno, Martin Heidegger, György Lukács, Jacques Derrida and Arthur Danto.
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The book is a response to previous writings within critical theory on the subject of art, notably those of Walter Benjamin and Theodor Adorno.Marcuse rejected Benjamin's call in "The Work of Art in the Age of Mechanical Reproduction" for the politicization (i.e., a literal reflection of perceived political realities) of modern, reproducible art both to reflect the state of a society and to ...