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Marianne Strengell (a.k.a. Marianne Hammarström, [1] [2] May 24, 1909 – May 8, 1998) was an influential Finnish-American Modernist textile designer in the twentieth century. Strengell was a professor at Cranbrook Academy of Art from 1937 to 1942, and she served as department head from 1942 to 1962. [ 3 ]
Marianne Kinzel was a mid-20th century designer of knitted lace patterns. She was born and raised in Bohemia, attending the Art and Needlework College in Prague , [ 1 ] but later emigrated with her husband Walter to England .
Marianne Straub was born in the village of Amriswil, Switzerland, the second of four daughters of the textile merchant Carl Straub and his wife Cécile Kappeler. [2] She had tuberculosis as a young child and spent over four years in a hospital ward, returning home at the age of eight. [2]
Marianne de Trey CBE (3 November 1913 – 18 October 2016) was a pioneering British studio potter whose work had a significant impact on the craft's post World War II ...
In November 2004, the design was used on a postal stationery sold with a philatelic diary. Eleven stamps were originally issued on 10 January 2005. They can be used in Metropolitan France , Guadeloupe , French Guiana , Martinique , Réunion , and overprinted for use in Mayotte and Saint-Pierre-et-Miquelon .
By 1965, the company employed over 400 staff, and the company was in every aspect of fine design, from fabrics to toys and dinnerware. The firm even completely equipped small houses with furnishings. In 1985, the company was sold to Amer-yhtymä. In the early 1990s, Marimekko was in a bad financial condition and close to bankruptcy.
Marianne Brandt (1 October 1893 – 18 June 1983) was a German painter, sculptor, photographer, metalsmith, and designer who studied at the Bauhaus art school in Weimar and later became head of the Bauhaus Metall-Werkstatt (Metal Workshop) in Dessau in 1928. Today, Brandt's designs for household objects such as lamps and ashtrays are considered ...
Marion Richardson School in Stepney. Her last work Art and the Child was published posthumously in 1948, and was a great success. [1] [7] Sir Kenneth Clark wrote in his introduction that "I believe that I recognise the same tone of voice which I hear in the dialogues of St. Catherine of Sienna."