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Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
Kumadori (隈取) is the stage makeup worn by kabuki actors, mostly when performing kabuki plays in the aragoto style. [1] The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details.
Art Nouveau line art. Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.
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Light, proper use of makeup was ideal. The women of Osaka and Kyoto were ridiculed as they used heavier makeup than the women in Tokyo, considering them to be "yabo" (rough). [7] Slim and fragile women with up turned eyes and narrow faces also began to be the ideal, shifting away from the preference of plumpness. [8]
The documented history of make-up in Japan begins in the Edo period. While modern western makeup styles such as in Europe and the US emphasize pinpoint makeup for the eyes and mouth, modern Japanese styles place more emphasis on foundation, base makeup, and skin-care. [1]
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Kazu Hiro (born Kazuhiro Tsuji, Japanese: 辻 一弘 Tsuji Kazuhiro; born May 26, 1969) is a Japanese-born American special make-up effects artist and visual artist. [1] He won the Academy Award for Best Makeup and Hairstyling for the biographical films Darkest Hour (2017) and Bombshell (2019) after earning nominations for the comedies Click (2006) and Norbit (2007).