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A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.
Neutral something just sounds wrong about this recording that I can't put my finger on. --Guerillero | My Talk 01:08, 25 February 2011 (UTC) I wouldn't call the first chord "horrid", but yea it's not great. Indeed vibrato is a bit strong. Overall agree with Tony. Jujutacular talk 04:17, 8 March 2011 (UTC)
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The Quindar system, named after its manufacturer, Quindar Electronics, Inc., used two tones, both being pure sine waves that were 250ms long. The "intro tone" was generated at 2,525 Hz and signaled the "key down" key-press of the PTT button and unmuted the audio.
In many cases, when calling from abroad, busy, reorder and other call failure tones may be played by the local switch. Modern signalling protocols like SS7 send this information digitally; thus only a ringback tone or announcement generated by a distant switch in a foreign network will ever be heard by callers from other countries or networks.
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors.
When the call routing is successful and the receiving telephone is not already in a call, the destination telephone receives an electrical signal, called power ringing, or the ring tone, to alert the recipient of the incoming call. During this period of alerting, the caller also receives a distinctive signal, audible ringing, also called ...