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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. [3] This is understandable, given that first emblem book, the Emblemata of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts were chosen by the printer without any input from the author, who had circulated ...
Although the words emblem and symbol are often used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice. [clarification needed] An emblem may be worn or otherwise used as an identifying badge or ...
The word symbol derives from the late Middle French masculine noun symbole, which appeared around 1380 in a theological sense signifying a formula used in the Roman Catholic Church as a sort of synonym for 'the credo'; by extension in the early Renaissance it came to mean 'a maxim' or 'the external sign of a sacrament'; these meanings were lost in secular contexts.
Several authors place the Moral Emblems in the context of a resurgence of interest, during the Victorian era, in the emblem book, [158] [159] [160] and Karl Josef Höltgen specifies that, while most Victorian “emblematic verses” have little relation to the original sense of the emblem — that is, a set consisting of three parts: a motto ...
The work was the first of its kind to give to Englishmen an adequate example of the emblem books from the great continental presses. It was mainly from this book, representing the greater part of emblem literature preceding it, that Shakespeare gained knowledge of the great foreign emblematists of the 16th century.
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
Some pairs of contronyms are true homographs, i.e., distinct words with different etymologies which happen to have the same form. [7] For instance cleave "separate" is from Old English clēofan, while cleave "adhere" is from Old English clifian, which was pronounced differently.