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There was a series of attempts to find—and a number of claimants to be—the "King of Rock 'n' Roll", a title that became most associated with Elvis Presley. [8] This has been characterized as part of a process of the appropriation of credit for innovation of the then-new music by a white establishment. [9]
Duke is a male title either of a monarch ruling over a duchy, or of a member of royalty, or nobility.As rulers, dukes are ranked below emperors, kings, grand princes, grand dukes, and above sovereign princes.
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Die Musik in Geschichte und Gegenwart , it is one of the largest reference works on the history and theory of music .
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The Queen has traditionally conferred a dukedom to senior male members of the royal family as a wedding gift.
John Woods Duke was the oldest child in a large musical family. After teaching him to read music at an early age and starting him on piano lessons at age 11, Duke's mother (a talented singer herself) enrolled him in the Cumberland, MD Allegheny Academy. By age 16 he had won a three-year scholarship to the Peabody Conservatory in Baltimore.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).