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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
This is a list of songs described as feminist anthems celebrating women's empowerment, or used as protest songs against gender inequality. These songs range from airy pop affirmations such as " Girls Just Want to Have Fun " by Cyndi Lauper , to solemn calls to action such as "We Shall Go Forth" by Margie Adam .
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [ 26 ] [ 27 ] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [ 28 ]
Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism ...
Women & Songs is a series of annual Canadian compilation album releases from the 1990s and 2000s, highlighting songs by female artists. [1] The first album, simply titled Women & Songs, was released December 9, 1997. Several of the early releases in the series reached the top then in the Canadian album chart, and the series has been noted for ...
Many of the women's suffrage songs written after the Seneca Falls Convention can be divided into "rally songs" and "songs of persuasion." [ 10 ] Rally songs were more likely to be printed as single-sheet papers or published as songsters, but persuasive songs tended to be published commercially and could make their way more easily into women's ...
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...