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Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for ...
Currently, the standard analog photographic printing process for black-and-white photographs is the gelatin silver process. [1] Standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. [citation needed] Alternative processes often overlap with historical, or non-silver processes.
Vitreography is a fine art printmaking technique that uses a 3 ⁄ 8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph.
The most commonly used graphic methods were woodcut, lithography, etching and silkscreen printing, and new techniques such as color aquatint were developed. [2] The offset printing also emerged, which revolutionized graphic art. Offset is a process similar to lithography, consisting of applying an ink on a metal plate, usually aluminum.
The mezzotint printmaking method was invented by the German soldier and amateur artist Ludwig von Siegen (1609 – c. 1680). His earliest mezzotint print dates to 1642 and is a portrait of Countess Amalie Elisabeth of Hanau-Münzenberg, regent for her son, and von Siegen's employer. This was made by working from light to dark.
This article is concerned with the artistic, historical and social aspects of the subject; the article on printmaking summarizes the techniques used in making old master prints, from a modern perspective. Many great European artists, such as Albrecht Dürer, Rembrandt, and Francisco Goya, were dedicated printmakers. In their own day, their ...
À la poupée is a largely historic intaglio printmaking technique for making colour prints by applying different ink colours to a single printing plate using ball-shaped wads of cloth, one for each colour. The paper has just one run through the press, but the inking needs to be carefully re-done after each impression is printed.
"Carborundum Collagraph" collagraph is a different printmaking technique, invented in 1952 by Henri Goetz, an American abstract artist living in Paris. The carborundum mezzotint uses the grits to create pits below the surface of the metal that then hold ink, like traditional mezzotint. The carborundum collagraph creates the image above the ...