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Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. [1] [2] She is often considered an avatar of Japanese life, especially since her symbol is the sakura (cherry blossom).
Hanami picnics in front of Himeji Castle, 2005 Osaka Castle. Hanami (花見, "flower viewing") is the Japanese traditional custom of enjoying the transient beauty of flowers; flowers (花, hana) in this case almost always refer to those of the cherry (桜, sakura) or, less frequently, plum (梅, ume) trees. [1]
The cherry blossom is also seen in the logo of the Japan Cricket Association [52] and the Japan national American football team. [53] [54] Cherry blossoms are a prevalent symbol in irezumi, the traditional art of Japanese tattoos. In this art form, cherry blossoms are often combined with other classic Japanese symbols like koi fish, dragons, or ...
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker.Along with Hasui Kawase, he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints.