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"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
The first note of a major key always has the triangular Fa note, followed (ascending) by Sol, La, etc. The first note of a minor key is always La, followed by Mi, Fa, etc. The first three notes of any major scale – fa, sol, la – are each a tone apart. The fourth to sixth notes are also a tone apart and are also fa, sol, la.
"Ti" is used in tonic sol-fa (and in the famed American show tune "Do-Re-Mi"). Some authors speculate that the solfège syllables (do, re, mi, fa, sol, la, ti) might have been influenced by the syllables of the Arabic solmization system called درر مفصّلات Durar Mufaṣṣalāt ("Detailed Pearls") (dāl, rā', mīm, fā', ṣād, lām ...
The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). The system for other Western countries is similar, though si is often used as the final syllable rather than ti.
Fixed do uses the syllables re–mi–fa–sol–la–ti specifically for the C major scale, while movable do labels notes of any major scale with that same order of syllables. Alternatively, particularly in English- and some Dutch-speaking regions, pitch classes are typically represented by the first seven letters of the Latin alphabet (A, B ...
Solfège, or solfa, is a technique for teaching sight-singing, in which each note is sung to a special syllable (do, re, mi, fa, sol, la, ti).; Canntaireachd is an ancient Scottish practice of noting music with a combination of definite syllables for ease of recollection and transmission.
In order, they are today: Do Re Mi Fa Sol La Ti Do ' (for the octave). The classic variation is: Do Re Mi Fa Sol La Si Do ' . The first Western system of functional names for the musical notes was introduced by Guido of Arezzo (c. 991 – after 1033), using the beginning syllables of the first six musical lines of the Latin hymn Ut queant laxis .
The title refers to the assignment of syllables to steps of the diatonic scale (Do-Re-Mi, etc.). It alludes to the music of the spheres which Bubbles expounds upon: The basic principle for the starship and the space ritual is based on the Pythagorean concept of sound.