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Common body tattoos and their significance (these tattoos are most characteristic of the Old Regime when the Vory V Zakone was more structured in prisons): 243 in a badge: signifies the wearer has committed battery on a police officer. Often worn on the arm or hand used for the assault. Taken from the California penal code.
The branding of criminals was practised in Russia long before tattooing was customary, and was banned in 1863. In the 19th century, a "pricked" cross on the left hand was often used to identify deserters from the army, and up until 1846, criminals sentenced to hard labour were branded "BOP" (thief), the letters on the forehead and cheeks.
Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. [112] In the process, sailors and seamen re-introduced the practice of tattooing in Europe, and it spread rapidly to seaports around the globe.
Difficulties increased in 1941 when Soviet prisoners of war came in masses, and the first few thousand tattoos were applied to them. This was done with a special stamp with the numbers to be tattooed composed of needles. The tattoo was applied to the upper left part of the breast. In March 1942, the same method was used in Birkenau. [citation ...
The SS blood group tattoo was applied, in theory, to all Waffen-SS members, except members of the British Free Corps. It was a small black ink tattoo located on the underside of the left arm near the armpit. [2] It generally measured around 7 millimetres (1 ⁄ 4 in) long and was placed roughly 20 centimetres (8 in) above the elbow.
In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...
The Wolfsangel ('wolf hook') was used as a heraldic symbol alluding to a wolf trap, and is still found on the municipal arms of a number of German towns and cities. It was adopted by a fifteenth-century peasants' uprising, thus acquiring an association with liberty and independence.
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.