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Medieval music. Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
The authentic modes were the odd-numbered modes 1, 3, 5, 7, and this distinction was extended to the Aeolian and Ionian modes when they were added to the original eight Gregorian modes in 1547 by Glareanus in his Dodecachordon. [3] The final of an authentic mode is the tonic, though the range of modes 1, 2, and 7 may occasionally descend one ...
Plainsong. Plainsong or plainchant (calque from the French plain-chant; Latin: cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. [1] Plainsong was the exclusive form of Christian church music until the ninth century ...
Luther also adopted several Gregorian chants and gave them new German texts. With new melodies the singularity always stood in the foreground; often the melodies move in familiar formulas – artistic originality of the melody was of little importance. New melodies were mostly written in collaboration with Johann Walter. Luther also asked other ...
Organum [a] (/ ˈ ɔːr ɡ ə n əm /) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages.Depending on the mode and form of the chant, a supporting bass line (or bourdon) may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed.
Ambrosian chant. Ambrosian chant (also known as Milanese chant) is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great.
A chant (from French chanter, [1] from Latin cantare, "to sing") [2] is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of ...
Gregory the Great is traditionally considered to have revised and collected the various texts and chants of the liturgy, giving rise to the term "Gregorian Chant" for liturgical plainsong melodies. The Gregorian Antiphonary, and the supplemental Antiphonarium Missae, left an enduring influence on the Roman liturgy.