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Personification is implemented with words such as 'Joy', 'Beauty', 'Delight', and 'Pleasure' allowing the poet to create characters out of ideals and emotions as he describes his thoughts and reactions to feelings of melancholy. The difference between the personification of these words and those in the other odes Keats wrote in 1819 comes from ...
Poem. "Hymn to Intellectual Beauty" is an 84-line ode that was influenced by Jean-Jacques Rousseau 's novel of sensibility Julie, or the New Heloise and William Wordsworth 's "Ode: Intimations of Immortality". Although the theme of the ode, glory's departure, is shared with Wordsworth's ode, Shelley holds a differing view of nature: [3]
Ode on a Grecian Urn. Tracing of an engraving of the Sosibios vase by Keats. " Ode on a Grecian Urn " is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819[1] (see 1820 in poetry). The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence ...
The five poems included in the Lucy "canon" focus on similar themes of nature, beauty, separation and loss, and most follow the same basic ballad form. Literary scholar Mark Jones offers a general characterisation of a Lucy poem as "an untitled lyrical ballad that either mentions Lucy or is always placed with another poem that does, that either ...
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
Daguerreotype of the poet Emily Dickinson, taken circa 1848. " There's a certain Slant of light " is a lyrical poem written by the American poet Emily Dickinson (December 10, 1830 – May 15, 1886). The poem's speaker likens winter sunlight to cathedral music, and considers the spiritual effects of the light.
Anne Brontë. " Lines Composed in a Wood on a Windy Day " is a poem by Anne Brontë, the youngest of the three Brontë sisters. It was first published in the collection Poems by Currer, Ellis and Acton Bell (1846). Though it shows some signs of hasty composition the critic Winifred Gérin considered it probably Anne Brontë's finest poem.
The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.