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Personification is implemented with words such as 'Joy', 'Beauty', 'Delight', and 'Pleasure' allowing the poet to create characters out of ideals and emotions as he describes his thoughts and reactions to feelings of melancholy. The difference between the personification of these words and those in the other odes Keats wrote in 1819 comes from ...
Poem. "Hymn to Intellectual Beauty" is an 84-line ode that was influenced by Jean-Jacques Rousseau 's novel of sensibility Julie, or the New Heloise and William Wordsworth 's "Ode: Intimations of Immortality". Although the theme of the ode, glory's departure, is shared with Wordsworth's ode, Shelley holds a differing view of nature: [3]
Nothing gold can stay. Reading of "Nothing Gold Can Stay". " Nothing Gold Can Stay " is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [ 1 ] which earned Frost the 1924 Pulitzer Prize for Poetry.
And miles to go before I sleep. [1] " Stopping by Woods on a Snowy Evening " is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance".
Daguerreotype of the poet Emily Dickinson, taken circa 1848. " There's a certain Slant of light " is a lyrical poem written by the American poet Emily Dickinson (December 10, 1830 – May 15, 1886). The poem's speaker likens winter sunlight to cathedral music, and considers the spiritual effects of the light.
Ode on a Grecian Urn. Tracing of an engraving of the Sosibios vase by Keats. " Ode on a Grecian Urn " is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819[1] (see 1820 in poetry). The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence ...
The five poems included in the Lucy "canon" focus on similar themes of nature, beauty, separation and loss, and most follow the same basic ballad form. Literary scholar Mark Jones offers a general characterisation of a Lucy poem as "an untitled lyrical ballad that either mentions Lucy or is always placed with another poem that does, that either ...
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.