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Toga picta ("painted toga"): Dyed solid purple, decorated with imagery in gold thread, and worn over a similarly decorated tunica palmata; used by generals in their triumphs. During the Empire, it was worn by consuls and emperors. Over time, it became increasingly elaborate, and was combined with elements of the consular trabea. [14]
Like much in Roman culture, elements of the triumph were based on Etruscan and Greek precursors; in particular, the purple, embroidered toga picta worn by the triumphal general was thought to be derived from the royal toga of Rome's Etruscan kings. For triumphs of the Roman regal era, the surviving Imperial Fasti Triumphales are
The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...
The formula togatorum ("list of toga-wearers") was a schedule kept in Rome that listed the various military obligations that Rome's Italian allies were required to supply to Rome in times of war.
The Roman Empire was one of the largest in history, with contiguous territories throughout Europe, North Africa, and the Middle East. [56] The Latin phrase imperium sine fine ("empire without end" [57]) expressed the ideology that neither time nor space limited the Empire.
The stola (Classical Latin: [ˈst̪ɔ.ɫ̪a]) (pl. stolae) was the traditional garment of Roman women, corresponding to the toga that was worn by men. [1] It was also called vestis longa in Latin literary sources, [ 2 ] pointing to its length.
A young toga-clad man of letters holding a scroll. In classical antiquity, Greek and Roman writers were acquainted with people of every skin tone from very pale (associated with populations from Scythia) to very dark (associated with populations from sub-Saharan Africa . People described with words meaning "black", or as Aethiopes, are ...