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Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
The word oomancy is derived from two Greek words, oon (an egg) and Manteia (divination), which literally translates into egg divination. Oomancy was a common form of divination practiced in ancient Greece and Rome, where it was believed that one could tell the future by interpreting the shapes formed when the separated whites from an egg was dropped into hot water.
Lampropsomo - a type of Tsoureki bread, flavoured with ground cherry stones, served at Easter in Greece; the name signifies the light of Christ, and red-painted hard boiled eggs are inserted as a symbol of Christ's blood (often three eggs, symbolic of the Holy Trinity). [21]
The symbolic coherence of the hun-tun theme in the Taoist texts basically reflects a creative reworking of a limited set of interrelated mythological typologies: especially the cosmic egg-gourd, the animal ancestor-cosmic giant, and primordial couple mythologies. The last two of these typologies are especially, although not exclusively, linked ...
Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
In the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one which presents a more historicized and one which presents a more mythological version. [4]
Shén (in rising 2nd tone) is the Modern Standard Chinese pronunciation of 神 "god, deity; spirit, spiritual, supernatural; awareness, consciousness etc". Reconstructions of shén in Middle Chinese (ca. 6th-10th centuries CE) include dź'jěn (Bernhard Karlgren, substituting j for his "yod medial"), źiɪn (Zhou Fagao), ʑin (Edwin G. Pulleyblank, "Late Middle"), and zyin (William H. Baxter).
Chinese Bronze script for po 魄 or 霸 "lunar brightness" Chinese Seal script for po 魄 "soul" Chinese Seal script for hun 魂 "soul". Like many Chinese characters, 魂 and 魄 are "phono-semantic" or "radical-phonetic" graphs combining a semantic radical showing the rough meaning of the character with a phonetic guide to its former pronunciation in Ancient Chinese.