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Jazz at Massey Hall is a live album released in December 1953 by jazz combo The Quintet through Debut Records. It was recorded on 15 May 1953 at Massey Hall in Toronto , Canada. Credited to "the Quintet", the jazz group was composed of five leading "modern" players of the day: Dizzy Gillespie , Charlie Parker , Bud Powell , Charles Mingus , and ...
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975. [1] Billy Strayhorn's "Blood Count" was debuted at the Carnegie Hall concert featured on the album. It was Strayhorn's last ...
Solo Concerts: Bremen/Lausanne is a live solo triple album by jazz pianist Keith Jarrett recorded at the Salle de Spectacles d'Epalinges in Lausanne, Switzerland and the Kleiner Sendesall in Bremen, Germany on March 20 and July 12, 1973, respectively and released on ECM November that same year—Jarrett's debut solo live album for the label.
Only one copy of the first concert program is known to exist. [2] Jazz tenor saxophonist Flip Phillips played at all the JATP concerts from 1946 to 1957. Norman Granz recorded many JATP concerts, and sold or leased (from 1945 to 1947) the recordings to Asch/Disc/Stinson Records (record producer Moses Asch's labels).
The Famous 1938 Carnegie Hall Jazz Concert by Benny Goodman, Columbia Records catalogue item SL-160, is a two-disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938. First issued in 1950, the landmark recording captured the premiere performance given by a big band in the famed concert venue. The event has ...
In 1987, trumpeter Wynton Marsalis was involved in starting the Classical Jazz concert series, the first series of jazz concerts at Lincoln Center. [5] The concert series began in August 1987 and they celebrated women in jazz. This included Betty Carter, Sasha Dalton, Marian McPartland, and others. Given the high stakes, success of this concert ...
The Montreux concert performances of the songs on the first disc took place on 10 July 1980 and featured four of the songs that would appear on Morrison's next album, Common One. Other songs played were chosen from albums over the last twelve years of Morrison's recordings, returning even to Astral Weeks for an over seven-minute-long version of ...
After years of work by musicians from all over the country, jazz had finally been accepted by mainstream audiences—according to Stan Ayeroff, "the concert helped jazz evolve from being strictly dance music to music worthy of a discerning listening audience. It was the start of jazz being recognized as an art form on a par with classical music."