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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
The orchestra performs both the well-known pieces and lesser known gems of the baroque and classical eras. In addition to established repertory, Musica Angelica has premiered over ten works in the new-music genre. The group's 2004 premiere of a 1737 oratorio by Nicola Porpora, Il Gedeone, received positive reviews. [1]
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier – broadly, music produced before about 1750.
Antonio Francisco Javier José Soler Ramos, usually known as Padre ('Father', in the religious sense) Antonio Soler, known in Catalan as Antoni Soler i Ramos (baptized 3 December 1729 – died 20 December 1783) was a Spanish composer whose works span the late Baroque and early Classical music eras.
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. [1] [4] [5] It emerged in the mid-1960s as artists pursued a majestic, orchestral sound [4] and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [3]
Other recordings include Handel Opera Arias and Overtures 2 for Hyperion, Bach wedding cantatas for Decca, Bach Cantatas 82a and 199 for Carus; and four projects for BIS: with London Baroque, one of Handel motets and one of Christmas music by Scarlatti, Bach and others; with the Royal Academy Baroque Orchestra the first recording of the newly ...
In 1900, Riemann asserted that Fasch's style was an important link between the Baroque and Classical periods, and that he was one of those who "set instrumental music entirely on its feet and displaced fugal writing with modern 'thematic' style’"; [13] New Grove's entry on Fasch states, "Later research has largely confirmed [Riemann's ...