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"The Christmas Song" (commonly subtitled "Chestnuts Roasting on an Open Fire" or, as it was originally subtitled, "Merry Christmas to You") is a Christmas song written in 1945 [note 1] by Robert Wells and Mel Tormé. The Nat King Cole Trio first recorded the song in June 1946.
Musically, "Christmas Without You" is a Christmas pop song, [1] which is bouncy, upbeat, and has a retro influence. [2] The song begins with piano chords, which transitions into the first chorus with jingle bell sounds. During the next verse, a bassline is used with a basic beat and harmony, before leading to the second chorus.
Weihnachtslieder (Christmas Songs), Op. 8, is a song cycle of six lieder related to Christmas by Peter Cornelius, who set his own poems for voice and piano between 1856 and 1870. [1] [2] The full title is: Weihnachtslieder : ein Cyklus für eine Singstimme mit Pianofortebegleitung : Op. 8 / Text und Musik von Peter Cornelius. Cornelius ...
The quintessential Christmas crush song, Mariah Carey's "All I Want for Christmas Is You" finally hit No. 1 in 2019—25 years after its initial release! 2. Nat King Cole, "The Christmas Song"
Featured on her album Home For Christmas, the song peaked at #6 on Billboard's Holiday Songs chart in 2002. [265] Christina Aguilera: 2000 Featured on her album My Kind of Christmas, the song peaked at #31 on Billboard's Holiday 100 in 2015. [266] Toni Braxton: 2001 Peaked at #14 in 2001 on Billboard's Holiday Songs chart. [267] James Taylor: 2001
Most notably, however, the song's jaunty piano chords and melody keep the song merrily bouncing along." [13] Lyrically, the song describes the singer not caring about the usual material aspect of the holiday season such as ornamental lights, trees, snow and presents, as long as they are with their lover for Christmas.
Here's the best modern and new Christmas music to refresh your holiday playlist in 2024, featuring hits from Justin Bieber, Taylor Swift, Sabrina Carpenter, and more.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...