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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
Rococo painting represents the expression in painting of an aesthetic movement that flourished in Europe between the early and late 18th century, migrating to America and surviving in some regions until the mid-19th century. The painting of this movement is divided into two sharply differentiated camps.
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Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10] Marquise de Pompadour is often referred to as the "godmother of Rococo" [ 10 ] and Boucher's portraits were central to her self-presentation and cultivation of her image.
Stylistically, his paintings are Classicist in some respects, but primarily Rococo. [15] The vast majority show members of the European nobility and of leading political and cultural circles. Roslin was enormously successful among members of French high society, becoming one of the wealthiest artists of the era in France. [11]
Artists from Genoa were influential during the 17th century. Many painters emigrated to either Venice, Florence, or Rome. Prominent stimuli to the local artists were prolonged visits to the town of artists from Spain and countries north of Italy, including Velázquez , Van Dyck , and Pierre Puget .