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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
Holton-Farkas is a product line of French horns and mouthpieces created through the joint venture of musical instrument manufacturer Frank Holton & Co. and legendary horn virtuoso Philip Farkas. The first model was released in 1958, and although no new models are being made (Farkas died in 1992), the series is still being manufactured today. [1]
Philip Farkas (1914–1992), principal horn of the Chicago Symphony, left what became Schilke Music Products in 1956 and joined with Holton, designing the Holton Farkas Model french horn. Ethel Merker (1923-2012), prominent horn player in Chicago, collaborated in the design and development of the Merker-Matic [16] line of horns. [17] [18]
John Zirbel. John Zirbel is an American-born French horn player and teacher. He was the principal horn of the Montreal Symphony Orchestra (1978/1979–2019) and one of the principal horns at the Aspen Music Festival and School orchestra (from 2000), and also spent a season as principal horn at the San Francisco Symphony (in 2000) and the Cincinnati Symphony Orchestra (in 2005).
The list of horn makers spans all time, and not all still exist. Andreas Jungwirth [1] Atkinson Brass and Company [2] Briz Horn Company; Buescher Band Instrument Company;
The name indicates an animal's (cow's) horn, which was the way horns were made in Europe after the fall of the Western Roman Empire. [2] The modern bugle is made from metal tubing, and that technology has roots which date back to the Roman Empire, as well as to the Middle East during the Crusades, where Europeans re-discovered metal-tubed ...
However, new competition from Selmer (Paris), aided by the exchange rate between the French Franc and the US Dollar in the postwar era, put price pressure on the American manufacturers and H. N. White was no exception. Through the mid-1950s into the 60s, the imperative of cutting costs grew and features were dropped to simplify manufacture. [4]
Julie Landsman (born April 3, 1953) is an American-born French horn player and teacher. Landsman was Principal Horn of the Metropolitan Opera from 1985-2010. Prior to her appointment with the Metropolitan Opera Orchestra, Landsman served as co-principal horn with the Houston Symphony, and has toured internationally with the New York Philharmonic and Orpheus Chamber Orchestra.