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The melody of the song is recorded, alongside its lyrics, in ancient Greek musical notation. While older music with notation exists (e.g. the Hurrian songs or the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]
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Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Ugarit, where the Hurrian songs were found. The complete song is one of about 36 such hymns in cuneiform writing, found on fragments of clay tablets excavated in the 1950s from the Royal Palace at Ugarit (present-day Ras Shamra, Syria), [5] in a stratum dating from the fourteenth century BC, [6] but is the only one surviving in substantially complete form.
The article says that the tombstone and the epigrams were dedicated from Seikilos to his "(most probably) wife, Euterpe.", because "Seikilos Euterpei" means "(from)" Seikilos to Euterpe". However, Euterpe is the name of the Greek muse of music. So, perhaps Seikilos dedicated the musical composition to music itself, and not to a woman...