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  2. Pietà (Michelangelo) - Wikipedia

    en.wikipedia.org/wiki/Pietà_(Michelangelo)

    (English: "Michelangelo Buonarroti, the Florentine made this") The signature echoes one used by the ancient Greek artists Apelles and Polykleitos. It was the only work he ever signed. Vasari also reports the anecdote that Michelangelo later regretted his outburst of pride and swore never to sign another work of his hands. [12] [13] Fifty years ...

  3. Pietà - Wikipedia

    en.wikipedia.org/wiki/Pietà

    Michelangelo's Pieta sculpture is also unique in the fact that it is the only one of his works that he ever signed. Upon hearing that visitors thought it had been sculpted by Cristoforo Solari , a competitor, he carved his signature into Mary's sash as "MICHAELA[N]GELUS BONAROTUS FLORENTIN[US] FACIEBA[T]": "Michelangelo Buonarroti the ...

  4. List of works by Michelangelo - Wikipedia

    en.wikipedia.org/wiki/List_of_works_by_Michelangelo

    Importuno di Michelangelo: c. 1504 Palazzo Vecchio, Florence Pietraforte Rothschild Bronzes [6] 1506–1508 Fitzwilliam Museum: Bronze Male torso I (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 23 cm Male torso II (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 22,5 cm Naked woman scale model (in Italian)

  5. Replicas of Michelangelo's Pietà - Wikipedia

    en.wikipedia.org/wiki/Replicas_of_Michelangelo's...

    This is a list of replicas of Michelangelo's 1498–1499 statue, Piet ...

  6. Rondanini Pietà - Wikipedia

    en.wikipedia.org/wiki/Rondanini_Pietà

    The Entombment (Michelangelo) The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last.

  7. Palestrina Pietà - Wikipedia

    en.wikipedia.org/wiki/Palestrina_Pietà

    The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]