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Allegro, an 1884 piano piece by Erik Satie "Allegro", any of several musical works in Nannerl Notenbuch by Wolfgang Amadeus Mozart "Allegro", a composition by Bear McCreary in Music of Battlestar Galactica; Allegro, a 2005 Danish film by Christoffer Boe; Allegro, a 1947 musical by Rodgers and Hammerstein
In classical music, tempo is typically indicated with an instruction at the start of a piece ... Allegro moderato – close to, but not quite allegro (116–120 bpm)
The Allegro de concierto in C ♯ major, Op. 46, is a virtuosic showpiece for piano by Enrique Granados, composed between 1903 and 1904. [1] Its lyricism and technical brilliance, reminiscent of Franz Liszt , have made it one of the composer's most popular works.
Eine kleine Nachtmusik [a] (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music".
In addition to restructuring and augmenting Chopin's music for the Allegro de concert into a new treatment for piano and orchestra, he also created settings for piano and orchestra of the Nocturne in C-sharp minor, Op. posth. "Lento con gran espressione", and the Bolero in C major-A minor, Op. 19.
The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, [1] and it is widely considered one of the cornerstones of western music.
Its French translation Pathétique is generally used in French, Spanish, English, German and other languages, [5] Many English-speaking classical musicians had, by the early 20th century, adopted an English spelling and pronunciation for Tchaikovsky's symphony, dubbing it "The Pathetic", as shorthand to differentiate it from a popular 1798 ...
Adagio and Allegro, Op. 70, is a chamber music piece in A-flat major for piano and horn (optionally cello, double bass, viola or violin) by Robert Schumann. It was written in February 1849. Schumann planned alternative editions before it was printed in which the horn or cello or violin could be replaced.