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Working from France, Eliade had begun to study shamanism from a global perspective, publishing three papers on the subject: "Le Probléme du chamanisme" in the Revue de l'histoire des religions journal (1946), "Shamanism" in Forgotten Religions, an anthology edited by Vergilius Ferm (1949), and "Einführende Betrachtungen über den Schamanismus ...
Eliade's notion of "classic shamanism" or "shamanism in the strict and proper sense" was based on Siberian models. [95] But whereas Shirokogoroff emphasized that control over the spirits was the chief function of shamanic rituals, Eliade stated that the ecstatic and visionary spirit-journey induced by trance was the most central aspect of ...
Moving on to discuss the comparative religious approach taken by Mircea Eliade in his seminal study, Shamanism: Archaic Techniques of Ecstasy, Hutton remains highly critical of Eliade's work, and his theory that shamanism was an early form of global Palaeolithic religion. He finally moves on to examine the work of Ioan Lewis on this issue.
Three writers in particular are seen as promoting and spreading ideas related to shamanism and neoshamanism: Mircea Eliade, Carlos Castaneda, and Michael Harner. [1] In 1951, Mircea Eliade popularized the idea of the shaman with the publication of Shamanism: Archaic Techniques of Ecstasy. In it, he wrote that shamanism represented a kind of ...
Shamanism is a spiritual practice that involves a practitioner (shaman) interacting with the spirit world through altered states of consciousness, such as trance. [ 3 ] [ 4 ] The goal of this is usually to direct spirits or spiritual energies into the physical world for the purpose of healing, divination , or to aid human beings in some other way.
Eliade approvingly quotes Malinowski's claim that a myth is "a narrative resurrection of a primeval reality." [23] Eliade adds: "Because myth relates the gesta [deeds] of Supernatural Beings [...] it becomes the exemplary model for all significant human actions." [24] Traditional man sees mythical figures as models to be imitated. Therefore ...
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The "eternal return" is an idea for interpreting religious behavior proposed by the historian Mircea Eliade; it is a belief expressed through behavior (sometimes implicitly, but often explicitly) that one is able to become contemporary with or return to the "mythical age"—the time when the events described in one's myths occurred. [1]