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Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
Aphrodite is the central figure in Sandro Botticelli's painting Primavera, which has been described as "one of the most written about, and most controversial paintings in the world", [288] and "one of the most popular paintings in Western art". [289] The story of Aphrodite's birth from the foam was a popular subject matter for painters during ...
The Triumph of Neptune and Amphitrite (or Birth of Venus) by Nicolas Poussin, painted in 1635 or 1636, is a painting housed in Philadelphia in the Philadelphia Museum of Art. [1] It is in oil on canvas (114,4 x 146,6 cm) and shows a group of figures in the sea near a beach, with putti flying over their heads.
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
William-Adolphe Bouguereau (French pronunciation: [wiljam adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter.In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. [1]
Pages in category "Paintings of Venus" The following 88 pages are in this category, out of 88 total. ... The Birth of Venus (Gérôme) The Birth of Venus; The Birth ...
The Birth of Venus is a 1907 painting by the French artist Henri Gervex. It is now in the Petit Palais , in Paris . It depicts the Greek goddess Venus ( Aphrodite ) washed up to shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art).
Ironically, their interlaced arms and Aphrodite's penetrating gaze emulate the intertwined women, so despised by Pygmalion, in The Heart Desires. Aphrodite is identified by the presence of doves and roses – symbols commonly linked with the goddess – and the water at her feet, reminiscent of her birth, fully formed, from the sea. This also ...