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The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays , the Chester Mystery Plays , the Wakefield Mystery Plays , and the N-Town ...
The play was written in Middle English during the Tudor period, but the identity of the author is unknown. Although the play was apparently produced with some frequency in the seventy-five years following its composition, no production records survive. [1] There is a similar Dutch-language morality play of the same period called Elckerlijc.
Vice is a stock character of the medieval morality plays.While the main character of these plays was representative of every human being (and usually named Mankind, Everyman, or some other generalizing of humanity at large), the other characters were representatives of (and usually named after) personified virtues or vices who sought to win control of man's soul.
Sir Clymon and Sir Clamydes (full title: The History of the Two Valiant Knights, Sir Clyomon Knight of the Golden Shield, Son to the King of Denmark, and Clamydes the White Knight, Son to the King of Swabia [1]) is an early Elizabethan stage play, first published in 1599 but written perhaps three decades earlier (c. 1570).
Mankind is an English medieval morality play, written c. 1470. The play is a moral allegory about Mankind, a representative of the human race, and follows his fall into sin and his repentance. Its author is unknown; the manuscript is signed by a monk named Hyngham, believed to have transcribed the play.
It is the earliest morality play by more than a century, and the only medieval musical drama to survive with an attribution for both text and music. A short version of Ordo Virtutum without music appears at the end of Scivias , Hildegard's most famous account of her visions.
Like Mankind, the Macro Manuscript version of Wisdom bears a Latin inscription by the monk Thomas Hyngman and the phrase (translated), “Oh book, if anyone shall perhaps ask to whom you belong, you will say, “I belong above everything to Hyngham, a monk.” [4] Similarities between this hand and the text of the play lead scholars to believe that Hyngman transcribed the play. [5]